These circular chambers made outside, work on the principle of a camera obscura. The interiors are dark, the entrance being from a door or curved passageway, the floor or viewing surface is white, and there is a small aperture or lens in the ceiling or wall. Images of clouds, branches, waves, landscape, are thus projected inside.
A large preoccupation in my work has been the exploration of what inner and outer nature mean. These cloud chambers are still, silent, meditative and mysterious spaces. Outside, they are discreet objects which sit unobtrusively within the landscape; are in fact made of the material of the landscape. They are often built partially underground, so that in these dark spaces what is outside is brought in and reversed. Clouds drift silently across the floor.